The whole emo revival thing is just music journalists finally paying attention to a genre of music that was born, died, was buried, and then resurrected from the grave, only to be shot point blank with a shot gun. Third wave, fourth wave, fifth wave some sort of wave.
I think everyone in the scene would agree that we’re all willing to help one another out, and we’re all stoked on what everybody’s doing.ĭo you think there is an “emo revival” or do you believe you are just apart of a third wave of emo bands? you are part of the scene and there is a respect and care for one another that you can’t find in many other circles. If you engage with the scene in any way, whether it be going to shows, making art, filming, photographing, etc. I want to be clear on something, though – you don’t even have to be in a band to be friends with everyone in the scene. If you’re in a band and you play in this particular scene in Philly, chances are we’re already friends. Is there a strong community feel between all the bands?Ībsolutely. There seems to be quite a few emotive bands coming out of Philadelphia right now and in 2012 you guys did a split with Modern Baseball titled Couples Therapy. I’m not fully sure why he chose that foundation, I believe that his college roommate or friend suffers from Cystic Fibrosis regardless, I commend him for his charity. That idea is all Michael from Soft Speak Records. Was there a reason for this specific foundation? I noticed that all the proceeds from the vinyl pressing of the new album go towards the Cystic Fibrosis Foundation, and I just want to say that’s awesome. Then we just divided up the recording amongst places we had access to – some of it in our (Ethan and I) house, some of it at Ben’s old house (Michael Jordan house), and some at Drexel’s recording studios. Our friend Eric Muth, to whom most of the credit goes to for how great the record sounds, hooked us up with East Room Recordings – where Eric recorded drums. We recorded the record all over the place – it was some pretty DIY shit. Speaking of your debut release, you recorded it in a variety of different locations, why was the process like that? Then we’ll show the song to the rest of the band, and we bang it out together. How do your songs come together? Do the instrumentals or lyrics come first?Įthan or I will write a song in its entirety on guitar.
I’ve been streaming the new album quite a bit, and everything just seems to fit together so well the crescendos, the twinkly melodies, the pulsating drums, and that perfect transition between soft-spoken and wailing vocals. We’ve gotten better at playing and we’ve also gotten better at adding dynamics to songs that we wouldn’t have thought of before. I think the biggest differences between our early stuff and summer death are the technicality of the parts. Originally, we were writing songs without a bass, not to mention we had both just started using alternate tunings. When we started this band, it was just Ethan and I writing songs together – shortly thereafter, Andrew came along and wanted to play drums. So your Demo was released nearly two years ago now, and you’ve just released your debut album summer death, how has the band evolved since your beginnings? Ethan sings and plays guitar, Ben plays bass, and Andrew drums.
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Read the full interview below, pick up their discography digitally on their Bandcamp, and pre-order their debut full length on vinyl from Soft Speak Records.įirst off can you introduce yourself, the rest of the band and the respective instruments that you all play please? I got the chance to speak to the band about the recording process of their new record, Philadelphia’s music scene, the media’s favourite buzzword “emo revival” and more. Philadelphian four piece emo-punk outfit Marietta have recently released their debut album summer death.
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